With a twenty-one day shooting window across the entirety of NSW, the cinematography of ‘Feel’ adeptly combines each distinct location into a singular vision, whilst still showcasing what makes each place visceral, ambient and unique.

The cinematographer worked with a considered, ever-evolving crew and kit based on the location's conditions - sometimes working with only a handheld camera, and at other times large grip equipment and complex lighting set-ups.

This wasn’t just to make the most out of each scene visually, but to ensure that each location could marry into a singular look, with great attention given to how lighting contrast, blocking and in-camera effects like timelapse could carry one shot into the next.

The cinematographer and director set out to capture a feeling, and creatively tackled each location with the exact tools needed to create a project that feels greater and more cohesive than the sum of its