From our early conversations with the director and the agency it was established that a big classical piece of music could work really well with the picture. The main challenges with this approach were maintaining the humour of the spot and structuring such a complicated piece so it hit all of the main beats of the film. We aimed to create a piece that reflected the cat-and-mouse chase of the visuals and that maintained a nice ebb and flow throughout while adding the right amount of playfulness and irreverence.

In order to achieve the sound the composer immersed himself in 19th century Italian operas and the era’s classical composers and set out to create something that sounded authentic to that particular style with all of its musical complexities.