Given the constraints, the team allocated one and a half days for shoot in each country, with scenes shot in Jaipur, a set build and studio day in Malaysia and scenes shot in Kyoto, Japan. This condensed timeframe necessitated precision and a team who knew what they were doing, to ensure that Sling’s unique vision were captured. It required careful selection of locations and planning with the folks on the ground.

Four days in Japan and India, scouting locations, and finalizing talent arrangements, against backdrop of thees vibrant cities, Sling knew she had found the perfect backdrop for the film to shine.

The interiors of the plane and the party scene were set builds that were built in Malaysia, to best expedite the speed and particular aesthetic of the film. Shooting in actual planes can be laborious and time-consuming and this allowed the team to maximise production time efficiently.

In true Wes Anderson style, we were going with something quirky and charming. Certain textures you can’t replicate.