Eurobest

The Smallest Drummer

DDB BRUSSELS, Brussels / STUDIO BRUSSEL / 2018

Presentation Image
Case Film

Overview

Entries

Credits

Overview

Strategy

We wanted to target music and festival lovers of all generations, from young kids to music festival veterans. We wanted to communicate that we’re the only genuine brand to follow the festivals and to discover the headliners of today and tomorrow.

That’s why we decided to bring a genuine story of a real boy. After a long casting process we found 8-year old Mirko and let him be the star in our tv-commercial.

To create an even bigger bang, we also invited Mirko to our radio studio. The day the commercial premiered on tv, we also let Mirko play his very first live show on national radio. We streamed it live on our facebook page, where he became the talk of the town. We sure hoped we had kickstarted Mirko’s drumming career.

Execution

First, we aired a tv commercial starring Mirko. To create an even bigger buzz on the day of the launch, we let Mirko play his first live gig in our radio studios which we also streamed on our Facebook-page. This created a buzz on social media.

But the biggest surprise was still to come: only days after making his debut on national radio, Mirko received a phone call from Belgium’s most famous drummer: Mario Goossens from Triggerfinger. Our plan had worked: Mirko had caught the attention of a big rock band. And most of all: Mario Goossens invited Mirko to play Rock Werchter with him.

At the festival, Mirko became the biggest sensation. We and other news media interviewed him and followed him around all day. Everyone looked forward to his show later that night, which became a great and emotional moment for everyone in the audience.

Outcome

Mirko’s performance with Triggerfinger at Rock Werchter became the biggest news item of the day. Every major Belgian news medium covered the story. He was even featured and interviewed in the 7pm TV news of a competing television chain.

In total, this generated more than 10 million media impressions and more than 2 million euros worth in free media.

But most of all: it proved once again that Studio Brussel is the one and only medium to follow the music festivals and to discover the current and future headliners. For the 3rd year in a row, Studio Brussel was the most popular medium to follow the festivals. And that in a very competitive market.

And Mirko? Well, he became a rock star just like he dreamed. Mission accomplished!

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