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KNOCKOUT CHAOS

BIGTIME CREATIVE SHOP, Riyadh / RIYADH SEASON / 2024

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Overview

Credits

OVERVIEW

Why is this work relevant for Film?

Knockout Chaos represented a significant moment in boxing, with AJ poised for a comeback and Ngannou transitioning from MMA. The film needed to match the anticipation and thrill of this major fight, resonating with fans across generations of both boxing and MMA. Departing from traditional, stereotypical fight promos, our film embraced a more cinematic approach, meticulously crafted and infused with entertaining storytelling. This fresh take garnered praise from media outlets for its innovative approach to promoting fights.

Please provide any cultural context that would help the Jury understand any cultural, national or regional nuances applicable to this work.

Riyadh Season is the entertainment initiative of the General Entertainment Authority to promote tourism in Saudi. It is a 6 month-long entertainment event (October to March) that aims to promote the city of Riyadh in Saudi Arabia to the world. From gastronomic experiences, to concerts, plays, art, sporting events and world-class shopping, there’s something for everyone at Riyadh Season.

However, for many years, Riyadh Season has been popular among the local population and the surrounding Middle East region. And didn’t attract many international travellers.

To change this perception and make Riyadh even more attractive to international audiences, they decided to promote their crowning event – Boxing.

With a number of huge fights already under their belt, Riyadh has become the Mecca of boxing in the world, bar none.

Each fight is unique in its matchup and has a story to tell. Hence no two campaigns are the same. Each is backed by insights of the fighters, or their history. Knockout Chaos was promoted as two world-class fighters from different combat genres coming together with their impressive knockout records and chaos they bring.

Write a short summary of what happens in the film

The film opens in bustling New York City. Ngannou walking through the gridlocked traffic receives a call from his agent confirming the fight with Joshua. Just then he gets shoulder barged by a bloke in a hoodie. Turns out it’s AJ himself. The crowd picks up on the tension and spurs them on to fight in the middle of the street. The film then sees both these heavyweights knock each other senseless with their trademark power punches, sending one another other flying across different global destinations, all while seamlessly transitioning between the real and 16-bit world. From New York to Mexico and Japan, the film finally reaches its exhilarating climax in Riyadh at Friday’s fight night at the Kingdom Arena, where both fighters unleash a devastating punch knocking each other out on the canvas. As the simulation comes to an end.

Background:

Riyadh Season is known for pulling off the impossible. This year saw one of the biggest crossover fights in history take place between two of the world’s biggest fighters – Anthony Joshua and Francis Ngannou. But what made this fight so unique and highly anticipated was both Joshua & Ngannou were heavyweight champions who made it to the top of their respective disciplines, boxing and MMA. And with both possessing devastating knock out stats courtesy their power punches, this made it a dream matchup and something the world was waiting to see. Our goal was to spark global conversation and resonate across generations, driving Pay Per View subscriptions, boosting ticket sales, and positioning Saudi Arabia as a top-tier destination for hosting world-class boxing events. So, we broke the mould of traditional boxing promos and opted for something as exciting as the fight itself.

Describe the Impact:

The objective of the campaign was to engage with the local population, but more importantly create a positive and favourable outlook with the global audience as well. While establishing Saudi Arabia as a glittering global boxing destination for hosting future events of this magnitude. The film, that garnered more than 76M views across platforms, was part of a multi-channel campaign that accumulated a staggering 2.1 billion impressions and a total engagement of over 51M. Tickets to the fights were sold out within days.

Even publications like AdAge called it “An epic ‘Street Fighter’ style ad”. And WIRED added,

“The best retro gaming boxing ad this year!”. Further confirming the campaign as a resonant and positively received compilation of work.

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